A savvy Detective and his partner attempt to unravel the mysterious sudden death of a prominent Senator while simultaneously navigating his insanely quirky siblings and their fierce appetites for their recently deceased fathers millions.

A savvy Detective and his partner attempt to unravel the mysterious sudden death of a prominent Senator while simultaneously navigating his insanely quirky siblings and their fierce appetites for their recently deceased fathers millions.

After the death of his girlfriend's daughter from a drug overdose, Paul Kersey takes on the local drug cartel.

2013年春季 NHK深夜剧 　　毎回異なる豪華ゲストが登場する1話完結のストーリー。 　　脚本を務めるのは、舞台・ドラマで「人の心」を言葉で活写する当代屈指の書き手たち。 　　ゲストの思い出の名曲を毎回ドラマのエンディングで歌いあげるのは当代一流の女性アーティスト。 　　もしも運命 に引き裂かれ会うことの許されない最愛の人と 　　もう一度だけ向き合うことができたなら、 　　_______あなたはその人に何を伝えますか？ 　　レストラン「L'Éterenité（永遠）」は、パラレルワールドに存在する不思議なレストラン。そこでは、永遠に引き裂かれたカップルたちが一度きりの再会を許されます。運命に引き裂かれ別々の道を歩んだ恋人たちがー不慮の災難で死別した親子がー会うことの許されない二人が向き合い、思い出を語り、心を伝え合います。確かな演技と研ぎ澄まされた会話が、絆の尊さ、人生の重さ、生きることの素晴らしさを紡ぎ上げ、ヴォーカリストの極上の歌声が二人の出会いを祝福します。涙がとまらないエンディング、見終わった後の心のあたたかさ。「逢（あ）えて良かった」そのひと言に幸せのヒントを見つける、 　　心にしみるドラマです。

It tells a story that how two young women become close friends by having dinners together. They happened to be arranged seated at the same table one time they went to eat out alone. At that time, they were both bothered by relationships, and from the first accidental dinner together, multiple dinners then followed, over which they open up to each other their relationship troubles, get closer and develop an unusual friendship.

Sunday Dinner is an American sitcom which aired on CBS from June 2, 1991 until July 7, 1991. The series was produced by Norman Lear, and marked his return to television producing after an absence of several years. Lear's current wife Lyn Davis Lear served as co-producer on the series, which was the first official Lear show to be made under his latest production marquee Act III Productions.

Hoshino (Toshiro Yanagiba) is the mob-connected owner of a ritzy Chinese restaurant. One evening he’s sitting down in a lavishly appointed private room to enjoy an elaborate multicourse dinner, when he gets a call from a crooked politician of his acquaintance. A long-meditated money-laundering deal is about to bear fruit and earn him a cool 5 billion yen. The gang boss who backed him on this deal will be pleased. He is, understandably, in the mood for celebrating when an unexpected visitor (Izam) arrives — a tall, husky, mincing fellow in dreadlocks, with a gun. He is a hit man sent to whack Hoshino — but for what? The hit man neither explains nor kills; instead he sits down at the table and asks Hoshino when dinner is going to be served. Coolly, Hoshino calls in Chinese for the waitress, who enters, wearing a red, slit dress and an inscrutable expression, with the first course. The longest meal of Hoshino’s life has just begun.

2013年春季 NHK深夜剧 　　毎回異なる豪華ゲストが登場する1話完結のストーリー。 　　脚本を務めるのは、舞台・ドラマで「人の心」を言葉で活写する当代屈指の書き手たち。 　　ゲストの思い出の名曲を毎回ドラマのエンディングで歌いあげるのは当代一流の女性アーティスト。 　　もしも運命 に引き裂かれ会うことの許されない最愛の人と 　　もう一度だけ向き合うことができたなら、 　　_______あなたはその人に何を伝えますか？ 　　レストラン「L'Éterenité（永遠）」は、パラレルワールドに存在する不思議なレストラン。そこでは、永遠に引き裂かれたカップルたちが一度きりの再会を許されます。運命に引き裂かれ別々の道を歩んだ恋人たちがー不慮の災難で死別した親子がー会うことの許されない二人が向き合い、思い出を語り、心を伝え合います。確かな演技と研ぎ澄まされた会話が、絆の尊さ、人生の重さ、生きることの素晴らしさを紡ぎ上げ、ヴォーカリストの極上の歌声が二人の出会いを祝福します。涙がとまらないエンディング、見終わった後の心のあたたかさ。「逢（あ）えて良かった」そのひと言に幸せのヒントを見つける、 　　心にしみるドラマです。

Dinner for Five is a television program in which actor/filmmaker Jon Favreau and a revolving guest list of celebrities eat, drink and talk about life on and off the set and swap stories about projects past and present. The program seats screen legends next to a variety of personalities from film, television, music and comedy, resulting in an unpredictable free-for-all. The program aired on the Independent Film Channel with Favreau the co-Executive Producer with Peter Billingsley.The show format is a spontaneous, open forum for people in the entertainment community. The idea, originally conceived by Favreau, originated from a time when he went out to dinner with colleagues on a film location and exchanged filming anecdotes. Favreau said, "I thought it would be interesting to show people that side of the business". He did not want to present them in a "sensationalized way [that] they're presented in the press, but as normal people". The format featured Favreau and four guests from the entertainment industry in a restaurant with no other diners. They ordered actual food from real menus and were served by authentic waiters. There were no cue cards or previous research on the participants that would have allowed him to orchestrate the conversation and the guests were allowed to talk about whatever they wanted. The show used five cameras with the operators using long lenses so that they could be at least ten feet away from the table and not intrude on the conversation or make the guests self-conscious. The conversations lasted until the film ran out. A 25-minutes episode would be edited from the two-hour dinner.

A look at poet, author, filmmaker, actor, and horror icon Gunnar Hansen—the original Leatherface in the first Texas Chainsaw Massacre. Including perspectives from friends, colleagues, filmmakers, actors, and anyone else who knew one of the nicest people affiliated with the horror genre.